What They Say...

"Over the past 4 or 5 years Regina and I have worked on at least a dozen cover illustrations for computer graphic books for Peachpit Press and Adobe Press. The story usually starts like this: I call Regina with an idea for a cover illustration where I say something like “I have no idea how you’re going to do this but I need ....” and “could you do it in the next couple of weeks” and “the author is really difficult”. None of those things make me popular with illustrators but Regina always digs in with enthusiasm, an open mind that gets busy right away with ideas, and a sense of humor that I find priceless. And from that point forward, things get even better – her delivery of beautiful and often spot-on comps coupled with her absolute mastery of Photoshop, and her skills at combining images and concept. Regina is a true collaborator, which I value deeply and I know our authors do as well. The story always ends with our author and client being very happy not only with the cover illustration process but with the final outcome: a cover illustration fulfilled to the max."

—Charlene Charles-Will, Design Manager
Peachpit Press, Adobe Press

"When I needed a brochure for my therapy practice, I had no idea where to start, and was worried I'd end up with something that didn't accurately reflect my personality or my practice. After just one conversation with Regina, she was able to translate my thoughts and ideas into a brochure that not only looked beautiful, but the copy and layout conveyed everything I wanted to communicate to potential clients in such a way that made me feel like she could read my mind. I love my new brochure!"

—Cynthia Johnson, Licensed Professional Counselor

"Regina has been creating CD covers for my music studio clients for several years, and it never fails. Whenever a client see the design she comes up, their first response is always some version of, "Wow," that's even better than I hoped for!" She has an uncanny ability to come up with designs that really complement the individuality of each performer, and the final CD always looks like it was professionally produced by a record company."

—Lloyd Morris, Lloyd Morris Studio